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Rate Your Date

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However, though many of us use streaming-related terms like data rate and bandwidth every day, there may be some residual lack of certainty as to what they precisely mean and why they are important.

For this reason, in this introductory article on streaming media concepts, I define file related terms like codecs, bandwidth, frame rate, data rate and resolution, and then delivery options like streaming and progressive download.

Codecs are compression technologies with two components; an en cod er to compress the file in your studio or office and a dec oder to decode the file when played by the remove viewer.

As the nifty capitalization in the previous sentence suggests, the term codec is a contraction of the two words encoder and decoder.

There are still image codecs like JPEG , audio codecs like MP3 and more video codecs than you could shake a digital stick at.

But, each format can contain multiple codecs. Similarly, Windows Media, Flash and QuickTime are the most widely used distribution environments, and each can contain multiple codecs.

For example, each delivery environment can deliver video encoded with the H. For example, H. To ensure that your files will play on the remote client, you need to make sure that they have the appropriate player installed.

For example, with the Flash Player installed, a computer can play H. And, by the way, QuickTime is a developmental and delivery environment, but not a codec, so which codec are you using?

Higher delivery bandwidths, like those enabled with cable and DSL, allow you to stream higher quality video to your viewer.

More on that in a moment. Note that in the early days of streaming video, producers encoded video to meet the bandwidth capabilities of their target viewers.

That is, back when most viewers connected via modems, you had to produce postage stamp sized video compressed to somewhere south of Today, with most viewers connecting via broadband capable of megabits per second mbps , most producers encode their video to meet quality and cost concerns.

In short, back in the day, most producers encoded their files to meet the target bandwidth of their lowest common denominator viewer.

The Data Rate or bit rate is the size of the video file per second of data, usually expressed in kilobits or megabits per second.

When I say that ESPN distributes their video at Kbps, this means that each one-second chunk of audio and video comprises about kilobits of data.

Figure 1. Setting the Data Rate for the file at kbps. As you can see in the Figure, you set data rate along with other configuration options during the encoding process.

Note that to a large degree, data rate is the most important factor in streaming video quality.

For this reason, all other file characteristics like resolution, frame rate or codec being equal, the lower the data rate, the lower the quality of the compressed file.

Most video starts life at Usually, those that shoot at 24 fps deliver at that rate, while many producers that shoot at Still a substantial reduction, but often that comes at a subtle quality cost.

For example, when considering 15 fps, note that high motion video will look noticeably choppy to many viewers.

In addition, tight facial shots, where lip synch is critical, often a look a bit out of sorts at 15 fps as well.

When deciding which frame rate to use for your video, you should produce video at full frame rate and the lower rate, and then compare to see which delivers the best overall presentation.

Resolution is the height and width of the video in pixels. Figure 2. That means you have to apply four times the compression to achieve the same data rate, which usually means noticeably reduced quality.

When producing streaming video, you have two options. Option 1 is to choose a data rate, then produce at the highest resolution that looks good at the data rate.

Option 2 is to choose the desired resolution, then produce at the data rate necessary to produce good quality at that resolution.

The key point is that you should always consider one when discussing the other. Video Encoding by the Numbers. Click here for more information.

Note that the mode you choose will have significant impact on how you produce your files. The concept of streaming means that you click the button on a website, the video starts playing immediately, and it continues to play more or less smoothly to the end.

When you stream video, the data rate of the encoded file must be somewhat smaller than the bandwidth capacity of the remote viewer; otherwise, the video will frequently stop playing.

For example, if you try to watch ESPN. How does Google's compression compare to Pandora, or Spotify, or the Amazon player? Good question!

Burning through your monthly data cap on your smartphone is a pain in the ass, and your music streaming app is probably guilty of some serious damage.

But just how much is data is your app using? The amount of data your service chews up depends on the quality settings. Not all tracks are available at that high quality, but most are.

Pandora is the only big mainstream service we could find that doesn't offer kbps streams. In fact, on mobile it maxes out at 64kbps.

Lower quality streams obviously use way less data. So what does that mean in terms of your data plan?

So if you were to stream music for an entire eight hour work day, you'd burn through nearly 1 GB. If you have a 2GB cap like I do, then this is not an advisable splurge!

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